Sweep Away Hungry Ghosts is the wishful reverie of a young Asian man as he struggles to come to terms with his deceased father’s transvestitism.
Investigating a string of disappearances across her estate, Mercy finds herself at the forefront of a cosmic conundrum.
Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.
Tonnemann lives in one of the wooden sheds at the far end of Islands Brygge, close to Copenhagen's landfill site. But in 1928, he wants to leave this environment behind – to go where the air is fresh and life may offer both security and meaning. He is already on his way with his packed suitcase to sign on to a long-distance boat when a lovely girl gets in his way with her little red sports car.
Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.
Feeling unhappy with his gun, Jigen is looking for the world’s best gunsmith. He finally finds out that Chiharu, who runs a watch shop, is the person he’s been seeking. Then, Jigen meets Oto, who comes to Chiharu’s shop looking for a gun. Jigen finds out about Oto's secrets and the mysterious organization that’s after her. After Oto is kidnapped, Jigen gets into a desperate battle to save her.
The Year of Return is an initiative of the government of Ghana that is intended to encourage African diasporans to come to Africa to settle and invest in the continent. This film documents one diasporan family as they return to Africa.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
Lina Inverse and Naga the White Serpent are back! What begins as a routine bandit-stomping turns into the adventure of a lifetime involving magical golems, an ancient Elven weapon and even someone bent on destroying the world. It's a predicament only Lina and Naga could get themselves in to.
A short film based on the S.T.A.L.K.E.R. fictional universe, combining the “Picnic to the curb” of the Strugatsky brothers, “Stalker” by Andrei Tarkovsky and the “Exclusion Zone” location around the Chernobyl NPP. According to the scenario, an agent of the peacekeeping forces, nicknamed "The Photographer", arrives in the Zone to prevent a global scale catastrophe, which could be caused by an experiment that went out of control at a scientific lab.
RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.
Ember is a 21-year-old photography student, stubborn, confident and independent. Her biggest dream has always been to move out of her hometown - she hated it for as long as she could remember and never felt comfortable there. But as Ember fulfils her dream and moves away to a different city, she keeps coming back to the memories of her past life and introspecting her connection with her hometown.
Five old men and a kid are travelling in a train's cabin without purpose. They travel because it's free and they don't have another place to stay. From their conversations we learn the tragedies of their lives. Also the hidden interlockings of their faith will out slowly.
Joy To The World, A King Is Coming To Town, Jesus Loves Me, O Come, All Ye Faithful, Jesus, What A Wonderful Child!, Deck The Halls/Jingle Bells/Feliz Navidad, Go Tell It On The Mountain, My Heart Would Be Your Bethlehem, Walking In The Light Of God, Born In Bethlehem, Down In Bethlehem, Changed By A Baby Boy, The Greatest Gift Of All, The Savior Of The World Has Come, Glad Tiding, Let There Be Joy, From Heaven’s Point Of View, Away In A Manger, I Saw Him In The Drugstore, Reaching, Silent Night
A love letter to film history, Sickies Making Films looks at our urge to censor movies and asks, Why? By focusing on the Maryland Board of Censors, the nation's longest lasting censor board, we discover reasons both absurd and surprisingly understandable.
A new essay film by Bryan Konefsky that uses the lens of loss and grief to explore intersections between memory and artifact.
A film director fades away from the industry after the failed love with the heroine of his movie. After being rehabilitated, he learns that some people conspired his fall and decides to take revenge.
Four friends search for the answers to a series of deadly text messages killing students at their high school.
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