The team of smart-talkin' toddlers known as Everything Is Terrible! have once again emerged from their VHS cocoons to conjure a jam on culture so culture-jamtastic that we're sorry we can't be there to hold your hand as you watch in dazed amazement. Thousands of hours of brain-boiling footage have been concentrated into an impenetrable jewel of an experience, teach us once and for all that loving well is the best revenge.
The film takes us to Georgia, where the shadows of the post-Soviet past still loom large. At its center is investigative reporter Tamuna Museridze, who sets out to unravel a profoundly personal mystery. As she follows the trail of a widespread 1990s scheme in which newborns were taken from Georgian maternity wards and trafficked across the world, she exposes networks, mechanisms, and long-buried secrets along with family tragedies that remain just as painful today. The scale of the practice is staggering: as many as 100,000 children were stolen from hospitals and sold. Among them were Amy and Ano, twin sisters separated at birth who finally found each other in 2024 through social media.
A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…
From a teenager's suburban bedroom to the boardrooms of Silicon Valley, this is a story of a heartbroken father's quest to uncover the truth behind his daughter's death and his fightback against how the most powerful corporations of the modern age operate.
Libby Spears goes undercover in southeast Asia to infiltrate the vast network of people involved in human trafficking (specifically, sex slaves), and discovers that not only are a significant number of its victims children, but also that the United States is one of the industry's biggest customers. When she returns home to learn more, she discovers the roles that the educational system and law enforcement have played in keeping the issue off the radar.
Douglas Fairbanks Jr. and Peter Fonda host an examination of the history of decency standards for movies from the early 1920s onwards.
Dean Martin had a laid-back charm that made him successful in everything from big-screen comedies to television variety shows to live acts in Las Vegas. Filmmaker Tom Donahue explores Martin’s varied career, including his complicated relationships with Jerry Lewis, Frank Sinatra, Sammy Davis Jr, and others. We hear from admirers such as critic Gerald Early, actor Jon Hamm, and Hip-Hop artist RZA who testify to Martin’s enduring mystique.
For over 40 years Val Kilmer, one of Hollywood’s most mercurial and/or misunderstood actors has been documenting his own life and craft through film and video. He has amassed thousands of hours of footage, from 16mm home movies made with his brothers, to time spent in iconic roles for blockbuster movies like Top Gun, The Doors, Tombstone, and Batman Forever. This raw, wildly original and unflinching documentary reveals a life lived to extremes and a heart-filled, sometimes hilarious look at what it means to be an artist and a complex man.
In 1996, Tsurisaki Kiyotaka, one of Japan’s most infamous death photographers, ventured into the center of Hell itself - the Rue Morgue neighborhood of Bogota, Colombia. With death and murder rampant, the corpses eventually find their way to embalmer Froilan Orozco, who has been tending the dead for over 50 years. We watch as bodies are brought in to his shop and he prepares them for their funerals.
In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.
This public service short for U.S. Savings Bonds starts out with Rowan and Martin arriving at a TV studio, ostensibly to host a show. It turns out that trumpet player Herb Alpert is the only other performer listed in the credits who is actually there in person. The others appear in clips, some from their own U.S. Savings Bonds spots, others from unidentified movie or TV appearances. Singer Barbara McNair is shown entertaining U.S. troops in Viet Nam, and the youth group The Young Americans also sings.
This essential new documentary pays tribute to the legacy of the late, legendary casting director Marion Dougherty and shines a light on one of the most overlooked and least understood crafts in filmmaking.
Taking part in The Voice Kids is already quite something, but for 11-year-old Merna it’s really something special. Her parents had to flee Iraq because they are part of the Christian minority, and IS was threatening to kidnap Merna. They now live in Lebanon, where one in three people is a refugee. The family has been waiting for two years for permission to move on. FaceTiming with her older sister, who stayed behind in Iraq, and cooking her favorite dishes with her mother make the situation more bearable. But what also really helps is singing – this calms Merna and makes her less afraid. She used to sing only in church, but since The Voice her beautiful, melancholy voice touches everyone. Because of her status as a refugee, Merna isn’t allowed to attend the foreign performances with the other finalists, but she’s now a national celebrity in Lebanon.
Light is a fascinating phenomenon. Without light, there would be no cinema, no film – and no life. So light is at the origin of everything, and yet it remains invisible to the eye until it hits matter. This moment is – quite literally – the starting point of Thomas Riedelsheimer’s latest work, for the springtime spectacle of rainbow shreds in the cinematographer and documentary filmmaker’s flat became the starting point of a search for the origin of the images we form of this world. For this quest he dived deep into two spheres that seem to follow different laws but always strive to fathom the magical: physics and art.
The story of how Sicilian Mafia boss Tommaso Buscetta (1928-2000), the Godfather of Two Worlds, revealed, starting in 1984, the deepest secrets of the organization, thus helping to convict the hundreds of mafiosi who were tried in the trial held in Palermo between 1986 and 1987.
Hosted by your favorite hot babe Sheree Bautista, Foreplay is a Valentine’s Special that explores the art of seduction before desire turns physical. Featuring 10 curated VMX films, this sensual guide dives into flirting, teasing, and giving in to passion.
An in-depth look at the making of S.S. Rajamouli's magnum opus, RRR, with behind-the-scenes footage and exclusive interviews. Explores the vision, challenges, and dedication involved in creating this cinematic phenomenon.
This special celebration of Disneyland's 35th anniversary, bursting at the seams with celebrity cameos, focuses on the changes Disneyland has undergone over the years, as the featured stars reminisce about their favorite attractions.
Hopkins’ career has spanned several decades, which is why we will also use many interviews that he gave throughout his life, allowing us to put him back into the context of each period and will be helpful in understanding his role in the history of cinema, because he was far from following the trends. He never belonged to any film movement; he is a chameleon that has always preferred natural acting, ‘non-acting’ when method acting was the fashion.
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