Directed by Olivier Nicklaus.
Man's landing on the moon was our greatest technological achievement. The Apollo 11 mission was truly the stuff of dreams. For the first time, our species walked on another celestial body. Even more remarkable was their ability to make it back. This is the story of the July 20, 1969, Apollo 11 moon landing. Drama with digitally remastered original footage.
In 1897, Arctic explorer Robert Peary, commissioned by Franz Boas, curator of the American Museum of Natural History, brought indigenous inhabitants of Greenland back from his expedition. It was a sensation. But only little Minik survived. The rest of his group died within a few months. Minik's father died of tuberculosis; his skeleton was added to the museum's anthropological collection. Minik, adopted by museum staff, remained in America for another twelve years before returning to Greenland. But there he had become a stranger. Robert Peary, on the other hand, was celebrated in America for his North Pole expeditions. Minik could not let go of his past, so he returned to the US.
A young, queer Muslim woman is grappling with the decision to come out to her devout mother, and ends up marrying her boyfriend to evade silent disapproval. This is a mother-daughter love story that reveals the often unseen intricacies of coming out and of seeking common ground and family.
When the terrible 1960 earthquake hit Agadir, the local cinema Salam was showing Ishiro Honda and Terry O. Morse’s Godzilla, King of Monsters! Weirdly enough, it was also one of the few buildings to survive the tragedy. Many years later, Gilles Aubry visits the place trying to understand how the memory of the seismic event has survived and is transmitted to the new generations. Shot inside the cinema and in the surroundings of Agadir, the film is driven by an abstract soundtrack recorded on location.
A film made a single batch of 45 pin holes in a 50 cm hollow tube.
When it comes to 'what Mother Nature intended', it turns out she was pretty open-minded. In this vivid, funny and eye-opening one-off doc we take the audience on a journey to explore the rich diversity of animal sexuality.
Blind climber Jesse Dufton's ascent of the Old Man of Hoy.
Short documentary about the making of Twin Peaks: The Return.
A documentary dealing with the publisher Ebbe Carlsson's decision to start his own investigation on the murder of Swedish Prime Minister Olof Palme
On 17th April 1961, an invasion force of over 1,200 Cuban exiles - trained, financed, equipped and directed by the US CIA - launched an amphibious invasion of the Cuban mainland. This documentary examines both the tactical and ethical questions surrounding the failed three-day battle, one that the world watched with great apprehension, and features interviews with key participants, archival footage and information obtained through declassified documents.
A documentary tribute to the singer/songwriter who died on 18th December, 2000.
A condensed omnibus of all twelve chapters of Film ist. by Gustav Deutsch. Chapters 1-6 consists almost exclusively, of sequences from existing scientific films, while chapters 7-12 is a collection of moving pictures from the first thirty years of a medium which was then still silent.
Studio Ghibli is Japan's most successful animation studio, with helmers Hayao Miyazaki ("Spirited Away," "My Neighbor Totoro") and Isao Takahata ("Grave of The Fireflies," "The Tale of Princess Kaguya") creating a bonanza for producer/prexy Toshio Suzuki. Generously adorned with clips from their films and their influences, the docu follows Ghibli's arc from a mid-'60s rebellion against working conditions at Toei Co. to its present powerhouse position, complete with public fun park. All interviews are illuminating, but Miyazaki is teasingly confined to pic's tete-a-tete finale with esteemed French comic artist Jean "Moebius" Giraud. Meeting of the wizened European, whose imprint is on films from "Blade Runner" to "The Fifth Element," and the apparently relaxed Nipponese helmer makes an interesting contrast, and will be of special interest to Francophiles. All credits are impeccable
The 8-minute documentary captures the annual Festa Major de Gràcia, a traditional neighborhood festival in Barcelona, showcasing its festive atmosphere, including merry-go-rounds, boats, and popular dances.
After the war began, memorial plaques bearing the names of victims of repression started being torn down far more often than before. The Last Address project didn’t have the resources to keep up with the vandalism. A group of activists stepped in: they began making temporary cardboard plaques and set out to track down those responsible.
Following the soap's final episodes, a tribute to the residents of Ramsay Street and the stars that Neighbours shot to fame. Aside from a look at Kylie Minogue (Charlene Mitchell/Robinson) and Jason Donovan (Scott Robinson), who returned for the finale, there are also profiles of Guy Pearce (Mike Young) and Margot Robbie (Donna Freedman). Plus, interviews with the cast and crew, including Stefan Dennis (Paul Robinson), Annie Jones (Jane Harris), Ryan Moloney (Toadie), Jackie Woodburne (Susan Kennedy), and Alan Fletcher (Karl Kennedy)
Accommodated since Algeria's Bloody Decade of the 1990’s in the "House of the Press", the journalists of the famous daily newspaper El Watan await the completion of their new offices, a symbol of their independence. My camera is embedded in their newsroom as they follow the events of this new Algerian spring... President Bouteflika has set his sights on a 4th term. Beyond what we call the Arab revolutions and other mediatized terms, I wanted this film to serve as a memorial to the women and men, young and less young, who battle daily to safeguard the freedom of information in a politically and socially fossilized country.
An American story. Traces the career of Joe Louis (1914-1981) within the context of American racial consciousness: his difficulty getting big fights early in his career, the pride of African-Americans in his prowess, the shift of White sentiment toward Louis as Hitler came to power, Louis's patriotism during World War II, and the hounding of Louis by the IRS for the following 15 years. In his last years, he's a casino greeter, a drug user, and the occasional object of scorn for young Turks like Muhammad Ali. Appreciative comment comes from boxing scholars, Louis's son Joe Jr., friends, and icons like Maya Angelou, Dick Gregory, and Bill Cosby.
At age 33, Finley Blake lives alone in a remote house in Austin, Texas. Since her divorce, she has been fighting to get back custody of her son, who was removed from her because of the supposedly immoral nature of her work. Finley is a camgirl: she earns her living by performing customized sexual scenes online. Flesh Memory is a document of a few days in her life, which is at once profoundly isolated and populated by virtual presences, a life attuned to screens, to so many distant interfaces connecting her to the outside world. The background to Finley’s performance life is her custody battle for her son.
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