Automotive journalist Chris Harris travels to Italy to spend a week with Ferrari legend Luca Montezemolo
It’s a moment time-stamped in our brains. Maybe it was a birthday gift. Or perhaps you saved paycheck after paycheck to finally purchase one. However you met your first bicycle, it was the pedal strokes that came afterward that hooked you onto something intangible. Adventure. Connection. Freedom. From the producers of UnReal and the director of Where The Trail Ends comes Accomplice, an homage to all the crazy adventures and crazier comrades that result from our finest sidekick. On the surface, Accomplice takes you to mind blowing locations across the globe with the world’s top riders. But beyond that, Teton Gravity Research’s latest film celebrates how the bicycle is more than just a mode of transportation - it’s a vehicle for the human spirit.
An example of a very extended practice in New York City, a city where apparently there is no place anymore for low income and working class people. The detention of Josh and Amron Israel opens a space for hope
French humorist Yacine Belhousse tours the world to explore how stand-up comedians make audiences laugh across cultures.
A journalistic true-crime scam-thriller where ‘everyone is trying to deceive everyone’, featuring Russian online investment fraud, trade craft, crypto-hunters, serial swindlers and an insider from the Russian underworld.
Transgender Parents takes the conversation about parenting and transsexuality to the next level: Some parents transitioned in the presence of their kids and some who transitioned prior to founding families - being out as trans and as parents, in ways that weren't possible 20 years ago. Transgender Parents centers the importance of access to building and continuing parent-child relationship in the presence of a gender transition. It is a tender look at the art of parenting, testimony to some of the hardest relational work in this life.
The history of film and video censorship in Great Britain.
Celebrated skateboarder Leo Baker shares the details of their rise to fame and the clash between their career and self-discovery as a trans person.
Through the prism of three distinct characters, the 24-year-old director conveys an intimate and sensitive portrait of his own generation, wanderers looking for their place in the new and uncertain world. Dancer Tanya moves to Mississippi where she finds love with a paraplegic wheelchair basketball trainer who is more than 20 years her senior. App developer Tomass abandons the life he had before and becomes a world-travelling digital nomad. Avant-garde publisher Valters collects toilet seats in a poetically performative attempt to overcome past trauma.
THINK AND GROW RICH: The Legacy will be a feature length docudrama film chronicling the story of some of today's most renowned entrepreneurs, cultural icons and thought leaders. This feature length film will tell their inspirational stories and how they ultimately achieved their success. Interwoven with dramatic vignettes, the movie will bring to life classic inspirational stories from Think and Grow Rich, Think and Grow Rich: A Black Choice, Think and Grow Rich: A Latino Choice, Think and Grow Rich for Women and Three Feet From Gold.' THINK will unlock the eminent significance behind the secret of Think and Grow Rich, revealing the global impact the book has created and serve as a continued legacy.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A searching, melancholy Dutch documentary about the lives of four classical musicians who won the prestigious Queen Elisabeth Competition in Brussels, a victory that did not prove a guaranteed ticket to the top of the classical music world.
Thirty-five years after "Keep in Touch", Jean-Claude Rousseau’s filmmaking returns to the city of Carl Andre and Hollis Frampton. It’s like a miniature remake of "Rear Window", but a New York version – Rear Window as seen by a minimalist artist from New York. The window takes up almost the entire frame, the photographer is nowhere to be seen and the gaze, no longer voyeuristic, flutters over the surface of a red brick façade on the other side, studded by myriad identical windows. On the surface of the windows or in the depths of the bedrooms, life passes by, takes its leave and returns, always inaccessible.
A deep dive into the mysteries that led a young American man name John Walker Lindh, who became known as the “American Taliban,” to the battlefield in Afghanistan fighting alongside the people who were supposed to be his enemy.
This 90 minute documentary features all-new interviews with the show's cast and crew as well as behind the scenes archival content providing fans an inside look at the challenges faced during the second season of ENTERPRISE as the writing staff and creators struggled to find the right tone and creative course for the series, ultimately developing the controversial XINDI story-arc which kicks off with the season finale: THE EXPANSE.
Willy DeVille live in concert.
Utitlising humour, fantasy, animation, poetry and theatrics, Hochman and her crew challenge the male establishment for ignoring the first meeting of the National Women's Political Caucus and Shirley Chisholm's bid for US vice-president.
A portrait of New York artist Keith Haring. The film looks to Haring as an artistic role model for his preternatural talent, of course, but also for his infectious lust for life that had him as committed to social activism and teaching children as to his latest painting.
Lucy, who is already human-like, claims that the first humans were mothers: The mother built a nest to secure the child when it became too heavy to carry. This is how she invented the house. She penetrated the dense branches with her voice to maintain contact with the child. That's how she invented language. Today, Lucy shakes her head and asks: "How did you let yourself be dragged down like that?".
Speaking without moving your lips is an ancient art, practiced very seriously already in ancient Egypt. Today's ventriloquists are mostly found in the entertainment world, although today's stand-up artists less often use a talking doll as a partner.
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