In BLUE-EYED, we join a group of 40 teachers, police, school administrators and social workers in Kansas City - blacks, Hispanics, whites, women and men. The blue-eyed members are subjected to pseudo-scientific explanations of their inferiority, culturally biased IQ tests and blatant discrimination. In just a few hours under Ms. Elliott's withering regime, we watch grown professionals become despondent and distracted, stumbling over the simplest commands.
Identifying the legacy and status of the iconic 1975 cult classic film The Rocky Horror Picture Show.
A wonderfully entertaining series of interviews with Pollack, Newman, Field and Luedtke about the film, its development, its themes and the experience of making it.
The feature-length documentary chronicles Alan’s life from his upbringing in Georgia in the 1950s and ’60s to his Hall of Fame induction in 2017. The film is primarily narrated by Alan and includes interviews with family members, musical colleagues and country stars, including Carrie Underwood. Written, produced and directed by John Albarian, the film showcases the inspirations that led Alan to write hits such as “Chasin’ That Neon Rainbow,” “Chattahoochee,” “Here in the Real World,” “Livin’ on Love,” and “Where Were You (When the World Stopped Turning).”
The Revolving Door is a 1968 American short documentary film directed by Lee R. Bobker, about the U.S.judicial system, explaining the types of cases tried in the lower court, showing the typical minor offenders and examining the inadequate jailing facilities. It was nominated for an Academy Award for Best Documentary Short.
Inspired by the folktale of the boy Siljan, who, after a quarrel with his father, turns into a stork and leaves home, the film is a story about the relationship between a farmer and a white stork.
Diane Sawyer sits down with actor Matthew Perry as he discusses his success, hard-fought battle with addiction, and life today.
At the height of the Cold War, Gilligan's Island depicted seven Americans living in an analogue of a post-apocalyptic world where the survivors have to rebuild civilization. Remarkably, the society they create is pure communist. Interviews with the show's creator and some of the surviving actors, as well from professors from Harvard, reveal that Gilligan's Island was deliberately designed to be dismissed as low brow comedy in order to celebrate Marxism and lampoon Western democratic constructs.
The story of Lynyrd Skynyrd; The Greatest American Rock Band Ever. We fly beyond Free Bird to celebrate the life & times of leader Ronnie Van Zant, from boogie-woogie beginnings in Jacksonville’s Shantytown to a tragic end in a Mississippi swamp.
Thomas Sankara, former president of Burkina Faso, was known as "the African Che", and became famous in Africa due to his innovative ideas, his devastating humor, his spirit and his altruism. More than a classic biography, this film sheds light on the impact that this man and his politic made on Burkina Faso and Africa in general.
Documentary short featuring behind-the-scenes footage of the 1973 film "Papillon." The film stars Steve McQueen and is based on the life story of Henri Charriere, both of whom can be seen on set in "The Magnificent Rebel."
A riveting and emotional journey into the world of writer William S. Burroughs, a man considered as cold as an iceberg on a winter night.
During the Cuban Missile Crisis of 1962, Soviet Navy officer Vasily Arkhipov refused to launch a nuclear strike and saved the world from nuclear war and total destruction.
Nowhere is the worldwide erosion of democracy, fueled by social media disinformation campaigns, more starkly evident than in the authoritarian regime of Philippine President Rodrigo Duterte. Journalist Maria Ressa places the tools of the free press—and her freedom—on the line in defense of truth and democracy.
Eat the Document is a documentary of Bob Dylan's 1966 tour of the United Kingdom with the Hawks. It was shot under Dylan's direction by D. A. Pennebaker, whose groundbreaking documentary Dont Look Back chronicled Dylan's 1965 British tour. The film was originally commissioned for the ABC television series Stage '66. Though shooting had completed for the film, Dylan's July 1966 motorcycle accident delayed the editing process. Once well enough to work again, Dylan edited the film himself. ABC rejected the film as incomprehensible for a mainstream audience.
A documentary film about the British rock band Blur. Following the band during their 2009 reunion and tour, the film also includes unseen archive footage and interviews.
Explore the mysterious Amazon through the amazing IMAX experience. Amazon celebrates the beauty, vitality and wonder of the rapidly disappearing rain forest.
Back in June, we invited South African rave-rap crew Die Antwoord to play their first show in New York City. They are one of our favorite bands and their performance that day was one of the most hectic, intense and amazing shows we had seen in a long time. While we were hanging out with them here, Ninja and Yo-Landi kept talking about a little monster called Tokoloshe, the most feared of all African demons. Ninja told us about how when he was growing up, his nanny would use a stack of bricks to raise her bed up, just to keep the Tokoloshe away at night. It turns out this is a fairly common practice among women in South Africa since this hairy, pot-bellied dwarf, unlike your typical Western boogiemonsters, is believed to have a penis the size of a horse’s and a penchant for sneaking into people’s bedrooms and raping them.
Janis Joplin is one of the most respected and iconic rock & roll singers of all time, a tragic and misunderstood figure who captivated millions of listeners and blazed new creative trails before her death in 1970 at age 27. Director Amy Berg explored Joplin's story in depth. A portrait of a complicated, driven and often beleaguered artist. Joplin's own words recount a series of letters she wrote to her family over the years. Janis was a vessel of energy when she sang. Her rapid rise and untimely death changed music forever.
Karayuki-san, the Making of a Prostitute is a 1975 Japanese film by director Shohei Imamura. It is a documentary on one of the Japanese "karayuki-san," who were women that were taken from their homes in Japan and used as prostitutes in the post-war period. Many of these women were told that they were doing this to support their families because of the extreme poverty that the war left much of Japan to live in. Imamura focuses on a particular such woman who was sent to Malaysia and never returned to Japan. Joan Mellen, in The Waves at Genji's Door, called this film, "Perhaps the most brilliant and feeling of Imamura's fine documentaries."
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