A group of filmmakers talk about their appreciation for "GoodFellas" (1990) and how it has influenced their work. Jon Favreau, Allan and Albert Hughes, Joe Carnahan, Richard Linklater, Antoine Fuqua and Frank Darabont are interviewed about the film.
Tayfun, an undertaker for the Belgian-Turkish community, must help families decide where their loved ones should be buried.
Ancient Caves brings science and adventure together as it follows paleoclimatologist Dr. Gina Moseley on a mission to unlock the secrets of the Earth’s climate in the most unlikely of places: caves. Moseley and her team of cave explorers travel the world exploring vast underground worlds in search of stalagmite samples – geologic “fingerprints” – that reveal clues about the planet’s climate history. Their quest leads them to some of the world’s most remote caves, both above and below the water, in France, Iceland, the Bahamas, the U.S. and Mexico’s Yucatan Peninsula. Together, they go where very few humans will ever go, revealing the incredible lengths scientists will go to study the unknown.
A short documentary that portrays the relationship of homosexuals with religion from the life stories of characters who found, when welcomed into an inclusive religious environment, comfort and fulfillment with their own faith. The documentary focuses on the Gospel For All Christian Church (ICEPT), one of the first Christian churches in Brazil to preach Inclusive Theology, and presents testimonies of regulars who experienced rejection within their former faith space due to homosexuality. Theological scholars, representatives of ICEPT and religious members in favor and against inclusive churches participate in the project developing the subject from the human, historical and theological bias of the theme.
A eulogy for the groundbreaking HBO series.
A Polish vehicle traverses the roads of Ukraine. On board, people are evacuated following the Russian invasion. This van becomes a fragile and transitory refuge, a zone of confidences and confessions of exiles who have only one objective, to escape the war.
15 years after "Lost in la Mancha", Keith Fulton and Louis Pepe come back to follow Terry Gilliam's new (successful) attempt at filming "The Man Who Killed Don Quixote".
17-year-old Skjold and 18-year-old Isabel are no longer together, but they will always be each other's first love. The film throws us into a whirlwind of conversations, quarrels and happy moments during a long summer in Copenhagen. A vulnerable and confusing time for the two of them, as they try to define who they are, both as a couple and as individuals. They are entangled in romantic feelings and a strong friendship, and find it hard to let each other go, so to break with her feelings, Isabel decides to move to Barcelona on her own. But will their new freedom give Skjold and Isabel the answers to who they are? Emil Næsby Hansen is the fly on the wall, who effortlessly and without interfering is there with the couple during their ups and downs, managing to capture all the emotional nuances. From romantic love and unbearable loneliness to poetic freedom, with the Danish summer as a moody backdrop.
A rhythmic montage of almost 200 faces, human and animals, that Halpern pans vertically, creating a cascade of visages suggesting that while individuals express a range of emotions they remain ultimately enigmas.
Explores and examines the world of ventriloquism through clips, photos and interviews with many of the greatest vents from today and yesterday, illustrating that this perceived novelty act is truly an extraordinary art form.
Using still pictures and newsreel footage, this short film tells the life story of Russian author Boris Pasternak, who was forced by the Russian government to refuse the 1958 Nobel Prize in literature for his novel Dr. Zhivago.
It is the first time that Joana, a Brazilian, has visited her friend Kevin in her country, Uganda. They met 20 years ago when they studied together in Germany and have not seen each other for a long time. Now they are close to turning 40 and life is more complex than in youth. This is a film about a friendship between women.
A close-up portrait of the daily lives of a pair of cows: told by way of some narrative-free, intimate POV photography, with plenty of close shot images, we follow the daily routine of these animals as they live what can only be described as mundane, boring lives - all with an ultimate purpose within the human food chain.
A deep dive into the rapidly expanding world of Psilocybin Psychedelic Therapy. How it's being used in large (Heroic) and microdose form for PTSD, depression, end-of-life care, as well as the science, ethics and structure of the practice.
A 1992 featurette on the making of "The Graduate."
In 2014, the movie « Mommy » directed by Xavier Dolan, got the Special Jury Prize at the Cannes Film Festival. This was a great achievement for this director prodigy from Quebec, who had just turned 25. The script - a tumultuous relationship between a single mother and his hyperactive and violent son - and the bold direction electrified the audience. Shot in Montreal, the documentary by Tessa Louise Salomé tells the genesis of this family drama. It also reveals the failures of the society in Quebec : the failure of the mental institution and the impoverishment of the middle class.
Tough Enough, is a 400 meter climbing route in the Tsaranoro Valley in Madagascar. This film shows the first climb by Arnaud Petit, Stéphanie Bodet, Sylvain Millet and Laurent Triay of this route in 2008.
Nobody could have imagined that one day we would be forced to be isolated in our homes. That the police are roaming the streets, telling people to stay indoors. That the streets are silent and empty. That our relationships are tested with the simple inevitability of being together 24/7 in the same space. We all experienced something, whether it be painful or reflective, but it changed us. An international phone line was opened and people left messages reflecting their feelings, thoughts and experiences. 22 filmmakers from 15 countries united to make a visual-philosophical documentary of isolation.
Unfulfilled promises of politicians, victims of the system, backstage of election campaign.
Leonor and Elizangela do not appear crazy at first sight in the way that society often imagines. They are victims of violent and uncontrollable seizure, which sometimes result even during filming in forcible confinement. The rest of the time they are endowed with sensitivity and clarity about their condition, which offers anyone who will listen to them the opportunity to familiarize themselves with what madness is, through their words, and also through their tragic and touching destinies.
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