Vasya Sitnikov was officially insane, a man without a passport, in and out of mental institutions, yet he was the key figure of the nonconformist art movement in the Soviet Union. He left behind astonishing works of art, yet he remains a compelling, controversial mystery. Why does his legend still confound those who knew him?
Spalding Gray sits behind a desk throughout the entire film and recounts his exploits and chance encounters while playing a minor role in the film 'The Killing Fields'. At the same time, he gives a background to the events occurring in Cambodia at the time the film was set.
Documentary about the making of Alan Parker's film adaptation of the stage musical EVITA.
Orson Welles talks fantasy and magic in this short Vienna travelogue.
Peter Whitehead’s disjointed Swinging London documentary, subtitled “A Pop Concerto,” comprises a number of different “movements,” each depicting a different theme underscored by music: A early version of Pink Floyd’s “Interstellar Overdrive” plays behind some arty nightclub scenes, while Chris Farlowe’s rendition of the Rolling Stones’ “Out of Time” accompanies a young woman’s description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic “Changing of the Guard” to shots of Buckingham Palace’s changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) – and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O’Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones’ 1966 Royal Albert Hall concert.
On October 4th, 2007 Arantza, the director of the film, was detained and taken to prison. She remembers a few things about those days: endlessly walking around the prison exercise yard, swimming competitions, Rasha's prison journey... After 918 nights locked up, Arantza is set free. From then onwards, she recorded her memories and doubts, which are heard throughout the documentary as a kind of fragmented memoir.
A look at the November 1980 re-match between Sugar Ray Leonard and Roberto Duran and how two infamous words haunt both.
The top 30 performers in Adult Entertainment share their thoughts and fears about the industry. The stars discuss how they started, the reality behind the glamour, the threat of AIDS, and the nationwide controversy surrounding their profession
Explore the fascinating relationship between author P. L. Travers and her much-loved character, Mary Poppins. This is the story of a complex woman who escaped her upbringing in rural Australia to pursue her dream of becoming a writer, reinventing herself and her past along the way.
The meteoric ascension of the Big East conference, and how in less than a decade, it became the most successful college basketball league in America.
Black and White Night 30 is a re-imagined, re-edited, remastered and expanded version of the original television special. Re-edited by Roy's youngest son Alex Orbison, the program has been restored to reflect the correct set order as the audience who attended the show saw it.
The Medieval and Renaissance blade, a profound and beautiful object handcrafted by master artisans of old. An object of great complexity, yet one with a singular use in mind- it is designed to kill. The truth of the sword has been shrouded in antiquity, and the Renaissance martial arts that brought it to being are long forgotten. The ancient practitioners lent us all they knew through their manuscripts. As gunslingers of the Renaissance they were western heroes with swords, and they lived and died by them. Yet today their history remains cloaked under a shadow of legend.
At the age of 18, stunt cyclist Eddie Kidd had already broken world records, been a stunt double for Harrison Ford and released a couple of singles. Yet this profile piece for the COI cinemagazine series “This Week in Britain” offers glimpses that his high life had both its ups and downs. A record-breaking jump of 24 cars was to be the big attraction of a May bank holiday at the National Motor Museum in Beaulieu but torrential rain scuppered plans. Kidd returned on the 4th June for a second attempt but with a shoulder injury that you see aggravated here, which prevented a planned second jump and again disappointed audiences. The person tasked with turning all these travails into a light-hearted snippet for overseas audiences was Peter Greenaway, who edited hundreds of stories like this before making arthouse feature hits such as The Draughtman’s Contract (1982).
Janette is terminally ill and wants to die in a dignified way but this is not permitted under British law. She refuses to wait for death in unbearable pain so she opts for a physician-assisted suicide in Switzerland. Before departing on the final journey she has to explain her intention to the family members and close friends.
A notorious mondo film depicting unbelievable and bizarre rituals, animal killing and cruelty, and people being killed and eaten, all by either animals or humans against each other or themselves.
An Italian documentary about Italian cinema.
A documentary that attempts to prove the existence of UFOs.
Considered one of the main Brazilian intellectuals, Heloisa Buarque de Hollanda — a member of the Brazilian Academy of Letters — left important marks on national thought and continues to be, at 84 years old, an active voice on the country's cultural and behavioral issues. The documentary sheds light on the trajectory of this icon who has always been at the forefront, serving as an antenna and beacon for cultural and social movements that are to come, while delving into Heloisa's intimacy thanks to the access of her eldest son, director Lula Buarque de Hollanda.
The magic and creation behind the making of William Friedkin's classic action film To Live and Die in L.A. (1985). It follows cast, crew and the director several years after the film sharing their experiences while working on the project, also including footage from the shooting, and they discuss in detail the conception of the most spectacular scenes filmed there and also the great debate about the different endings developed for the film.
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