In this "fake documentary", a doctor returns to Brazil after his studies in Paris. Setting out to practice Medicine, he becomes an indigenous messiah and, in time, a cannibal.
Filmed and built over the span of 2005-2009, Mind Field is the 4th full lengh audio/visual offering by AWS. A document of the team's raw talent and eclectic personalities interlaced with the workshop's undying pursuit of visual individuality and creative freedom.
The documentary portrays the life and history of Mexican wrestlers who for various reasons have decided to participate in this contact sport characterizing exotic characters. The exotic refers to the strange, the mysterious, the weird, the unusual. Particularly in wrestling exotic style refers to refined athletes in their clothing, well groomed, with a very special walk, occasionally thin effeminate. Not rude, not technical, but not rare height or size, these mannered gladiators have represented a third option within the Mexican rings, some shamelessly displaying their sexual preference and thereby defying the homophobic, or secretly homophily, mood of the wrestling fans.
Many cities or countries have a distinct malaise. They are places that could be Portugal, so sunk in a painful longing of the past, and where each tension of the present is only the tip of an iceberg that is explained in successive retreats that can go straight until origin of the species, at least. This feeling common to many latitudes is often presented as a diagnosis, a denial of a painful present as opposed to the desire to return to a glorious past.
A young Orthodox priest, fed up with too much intolerance and hypocrisy at the Kyiv Pechery Lavra, decides to leave his service there. He finds for himself a new flock: gays, lesbians, bisexual and transgender people as well as those living with HIV/AIDS. However, the official Orthodox Church denies them in the right to be Christians and homophobic society compels them to hide their sexual orientation. What has to happen to make the Church embower LGBT believers?
Award-winning documentary about how one Uruguayan leftist survived solitary confinement during the dirty war. The story of former Tupamaro guerilla fighter, Henry Engler, whose prolonged confinement and torture during the Uruguayan dictatorship led to a mental breakdown. Today Dr. Engler is a Swedish citizen and a scientist renowned for his research into Alzheimer’s disease. In this impressive documentary, the scientist visits the places of his painful past, painting an intimate and disturbing portrait of prison life under the dictatorship.
The 70th anniversary of the “Fotogramas” magazine comes in the shape of a sentimental voyage through the history of Spanish cinema thanks to a mosaic of voices represented by people who make films, those who write them and those who consume them. The documentary pays tribute to the readers of “Fotogramas” helped by the leading figures of Spanish cinema, who will read to the camera the most representative letters received at its offices in the history of the magazine.
A sexual film that revealed the activities of Seungha, who made her debut as an adult film actress after working as an idol singer.
In 2015, in Damascus, the Basateen al-Razi district and its orchards were razed to the ground as punishment for the population's uprising against the regime. Having lost everything, two former residents recall their neighborhood.
Documentary about Héctor Germán Oesterheld, his experience as a comic book writer, and his political activism. Colleagues and comic book experts analyze his narrative style and the impact his joining the Montoneros had on his writing. Elsa Oesterheld, his wife, recounts the final years of his life, when he and his four daughters were victims of state terrorism.
four-year history of the transformation of the centenary Palmeiras club.
Throughout the South of the United States, tempers flare up as confederate monuments are targeted for removal. During a 6000 mile road trip through the former Confederacy, this documentary explores the legacy of Southern Heritage. A myriad of supporters and opponents is met along the way: White, Black, North and South. Each with their own view on what's worth remembering and preserving. Is there a way past these crossroads?
This documentary is not a straightforward portrait of Armenian film director Sergei Paradjanov's life, but rather a fluid celebration of his talent and creativity. Focusing on the collages he produced during his years in prison, and featuring interviews with the director himself, Cazals' film demonstrates the scope of Paradjanov's artistic vision, lovingly commemorating this rebel of art cinema.
About the difficult fate of the Ukrainian Greek Catholic Church. The film contains 4 parts: "Wreath of Thorns", "Ridges on me", "Neophytes", "And not the seventh seal".
The life of Bambi, a male roe deer, from his birth through childhood, the loss of his mother, the finding of a mate, the lessons he learns from his father, and the experience he gains about the dangers posed by human hunters in the forest.
How Elon Musk became the most influential businessman in history by building a powerful cult of personality.
This is a film about the people and a city lost in time and space. It's about the speed at which life can change and about things that remain constant no matter what. The film is based on the events that occurred after the shelling of the district of Skhidniy in the city of Mariupol on January 24, 2015. Shelling was carried our by pro-Russian militants from "GRAD" multiple launch rocket systems.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
The Implementation of the new security law in 2020 marked a major historical shift for the people of Hong Kong. This 2-year process brought on the reality which was not expected to have materialized until 2046. This harsh, unexpected acceleration fueled feelings of anxiety and distress. The fear of prosecution mixed with the impulse for self-censorship, the desire to leave wrestled with a sense of loss. Room 404 is an essayistic response to the documentary Room 525 shot by the same artists during the art residency in Hong Kong back in 2019 while the social unrest was growing.
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