To the outside world Joanne is just a book-store owner, but the Conspiracy knows different. She's dangerous. She's a bellwether: a quiet leader who is well on her way to being her whole self. When they kidnap her to break her to make her conform, they discover that Joanne is something so much more than even she ever knew. Joanne is a feminist, one-room, one-character elevated genre thriller. It is a modern rite of passage story which most women have to go through to become a whole human being: How does one be oneself in the face of massive misogyny and hatred (both overt and institutionalized). It is also the world's first one-person film (a movie with only one on-screen character) that features a woman.
Sinbad plays Ari, an alien who comes to Earth in a cereal box in order to warn a kid about an imminent alien invasion.
What if it became possible for the personality to pass at the moment of death into the mind of someone still alive? Then the big new problem would be, into whom?
Three friends find themselves trapped in an underground parking garage. They soon discover it is no ordinary parking garage... with doorways leading into the past and future and floors that repeat themselves for eternity, their perceptions of time and space crumble around them and they must struggle to keep their sanity, if not their lives.
Three people are trapped in a room with no windows, no doors, and no memory of how or why they are there. They must figure out the mystery of what is happening and how they are connected.
Stefan learns that his invalid grandmother was the nurse/lover of Nazi doctor Franz Kindler and that she removed his brain when the Nazis were losing WW2. Unable to successfully perform a transplant on test subjects, she needs Stefan to carry on for her now that her health is failing.
Science and religion collide in a bleak near-future Los Angeles.
A lone technician aboard a remote monitoring outpost in deepest space finally gets a chance to leave his station and make the long journey home. But before he can, he must first train an interfacing AI system named IZAK to run the facility in his absence.
Kelly longs for a connection in a disconnected world and her goodlooking new neighbour might be just the ticket. But his odd behaviour soon has her questioning her own sanity. Is putting her life in jeopardy the solution to her problem?
When Clown Ferdinand enters an abandoned city in his wagon he ends up on a space rocket where he meets a robot that can turn invisible. This film reuses sets from Polák's Ikarie XB 1 (1963).
In the 26th century the inhabitants of Utopia have so lost their individuality, which varies in number. They live in glass houses (this was written before the invention of television), which allows the political police, called “Keepers” can easily supervise them. They all wear the same uniform and usually turn to each other or as a ”cipher-so” or "UNIFEM" (uniform). They feed on artificial food and rest hour marching in fours in a row the anthem of the One State, pouring out of the loudspeakers. As they are allowed to put a break on the hour (known as the ”sexy time“), draw the curtains of their glass houses. At the head of the One State is one called The Benefactor, which are replaced every year the whole population, usually unanimously. The guiding principle of the State is that happiness and freedom are incompatible.
There are a small number of people for whom imagery and symbolism alone are sufficient reason to watch an otherwise difficult film such as this one. In the story, a boy, a woman and a cow seem to be the only survivors of a global catastrophe, except for whoever is following them threateningly in a tank.
While operating the controls on his TARDIS console, The Doctor accidentally transports his former companion Tegan Jovanka on board. Less than happy about her situation, she reluctantly agrees to help when the Doctor reveals that two Sontarans are on board with a powerful vitrox bomb with which they intend to blow up the ship.
Slade Collins must travel back in time to save the woman he loves and put a stop to an evil Nazi plan to conquer the world.
Leading up to the events of Pitch Black, Richard B. Riddick escapes the Ursa Luna Penal Facility with William J. Johns hot on his tail.
After receiving his future obituary via a cryptic Internet file, Easton Denning is forced to confront his troubled past in order to prevent his predicted demise.
55 Km/sec is a love story set on the last day of planet Earth. A cataclysmic event has occurred, life as we knew it is ending, and people have retreated into their shells as they wait for the end of the world. Two large rocks are about to crash into each other and compared to that human life in all its complexity seems so fragile and pointless. Not knowing what’s coming next, people repeat their habits from the before-times, go to the grocery store, pack their bags like they are going somewhere, try to find what shelter and safety they can, say their goodbyes and begin the countdown to the end.
Two people whose love is a force that can never be changed, no matter how much its surroundings may change. A unique take on the timelessness of romance.
A comedy about a naive young architect and his wild designs for a “New Moscow.” The Soviet censors weren't at all amused and shelved it.
In the third and final installment of Not Alone, a persistent mother tries to convince the principal of a prestigious middle school to admit her daughter, but his elitism and reluctance to engage with her goes beyond what might be expected. As the conversation grows increasingly uncomfortable, the mother is forced to confront a horrifying truth. Desperation becomes grief, and her "daughter" has become something else entirely.
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