Ford Beebe's "original screenplay" (he had used it before) finds the cattlemen, headed by "Calamity" Parker, opposing the use of their rangelands by sheepherders, with cattlemen Lee Jamison and Ed Randall in the dissenting minority and they offer sheepman Angus McLeod free grazing privileges. Saloon owner Barney Ross offers to keep the sheepmen off of the range and out of town if each cattleman will pay $500.
Droopy chases the wolf, a dangerous outlaw, after he kidnaps Lou, a sexy female singer, from the saloon.
Problems come in the form of one of Hopalong Cassidy's neighbors, but the matter is settled when Hoppy roots out the troublemaker.
Broncho Billy is a foreman on Roger Newman's ranch and is in love with his daughter, Mae. Newman finds this out, discharges Broncho Billy and sends Mae to visit her brother in the east. Broncho Billy kidnaps Mae from the stage coach and they marry, squatting on Newman's land.
God's Country and the Law is a 1921 American silent drama film produced by Pine Tree Pictures and distributed by Arrow Films. It was directed by Sidney Olcott with Fred C. Jones and Gladys Leslie in the leading roles. It was adapted from the 1915 novel God’s Country and the Woman by James Oliver Curwood,which had been previously filmed under that title in 1916.
The Duchess, the aunt of Red Ryder, comes to town to protect her property. Crawford, a town big-shot behind an outlaw gang, tries to prevent her from reaching her destination, but the attack is thwarted by Red. The latter is made town marshal, and when he gets too close to the truth and is making it too hot for the Crawford faction, Crawford has his henchman Luke kidnap Red's Indian friend Little Beaver.
In this western, the Texas Rangers must stop a range war between sheepherders and cattle ranchers from erupting.
Sergeant Ken Strange, of the Canadian Mounted Police, and his dog, King, are on the trial of the murderer.
Roy is put in charge of a highway construction project. A rancher tries to stop Roy from putting a highway across his land because he fears that the authorities are going to discover the unscrupulous manner in which he got it.
Jim Counter, a Wild West bounty hunter, stumbles upon a man who he makes an alliance with, only to find out the man is worth more than Jim originally thought.
After a bloody exchange with some bounty hunters, Anna, a veteran of the War in Afghanistan, and Gloria, her ill-prepared God-fearing friend, team up with a pair of coyotes to escape into Mexico.
The Ballad of Kid Divine: The Cockney Cowboy is a very funny spaghetti western-Peckinpah-Leone pastiche that sees Michael Elphick's charlatan elixir seller, Neil Morrissey and Martin Clunes as the notorious and the not so notorious Irish bounty hunters all in pursuit of Kid Divine (Jesse Birdsall) a baby faced killer with a $25,000 price tag on his head.
Eddie Phillips works for his father, an oilman searching for deposits in the north woods. A puppy intended for Eddie falls out of the truck that's transporting him and is stranded in the forest, but the pup learns to survive on his own and soon becomes master of his domain. A year or so later Eddie and another dog, White Fawn, happen to be camping near property owned by pretty young Betty Francisco when swindler Jim Mason discovers oil deposits on Betty's land the tries to swindle her out of them, but the heroic dog, now named Thunder, determines to stop Mason and Eddie helps him, not knowing that Thunder is the dog originally meant for him.
Cowboy Jack Carter, the proud owner of the Australian shepherd Bunk, accepts the challenge of corralling 10,000 wild horses within a 10-day period. With the enormous sum for his efforts, Jack prepares to propose to Jessie Hayden. Unfortunately, Jack's rival, Charlie Champion, seeks to stop him from achieving both of his goals.
Jack rides into trouble when he meets up with Bill Meeker and his outlaw gang. Rescued from the gang's clutches by Don carlos, he joins forces with Carlos and with the help of Lolita who learns of the gang's next raid, they go after the culprits.
A gang of Mexican bandits make trouble for the owner of a gold mine, so he hires on a gunfighter.
A traveling gravedigger during an (unspecified) war adopts a orphan he finds alone in the desert. After the war with the orphan grown and business slow, the orphan begins to generate business himself by shooting people. The orphan wants to make one big score by robbing a bank but the gravedigger resists. Their dream is to open a fancy funeral parlor and cemetery. The orphan becomes obsessed with a prostitute he saw who was later abandoned by her outlaw partner after a robbery attempt on a gold wagon goes bad. He eventually leaves the gravedigger to find her
Through a kindly act Broncho Billy earns the deep gratitute of Marion Rivers, who presents him with a Bible. Not long afterwards, she comes upon him as he is about to hold up the stage, but at sight of the girl he is overwhelmed with shame and taking out the little Bible promises her that he will live honorably. In the meantime, Marion's father holds up the stage at another point, and one of the stagecoach drivers, mounting a bareback pony, rides off for the sheriff. Broncho Billy sees Rivers get away with the money, and when he hears the sheriff and his men coming, for Marion's sake he goes to warn her father. To shield him, he takes the bags of money and rides away with the men after him. He leaves the money at the mile post with a note saying: "SAheriff, I'm through with Bear County, this stick-up was my last", and rides across the border. (Moving Picture World Synopsis)
This entry in Universal's series of "Musical Westerns" shorts has Tex Williams, assisted by Deuce Spriggins and Smokey Rogers, bringing his six guns, fists and singing abilities against a gang of stage-robbing bandits. This film was combined with another Tex Williams short, Coyote Canyon, and reissued as the feature-length "Tales of the West No.2.)
Activate your FREE Account!
You must create an account to continue watching
