John O'Connor and Jim Rollins, rival ranchmen, each has a baseball team, though Rollins' usually wins because O'Connor's foreman and pitcher, Bide Goodrich, is paid by Rollins to throw the game. When Tom Hanley and his grandmother settle on O'Connor's ranch, the boss discovers that he is a good pitcher; and Rollins, who has bet heavily on the Fourth of July game, plots to eliminate Tom.
Hobo poet Sundown Slim meets his old friend Billy Corliss in a Western saloon. Billy, in poor health as a result of injuries sustained in a train wreck, now owns the Concho cattle ranch with his brother Jack who runs the ranch. Sundown obtains a job at the Concho and becomes embroiled in the Corliss' battle with their sheeprancher neighbors, the Fernandos. When Loring, one of Jack's employees, attacks Fernando's daughter Anita, Jack fires him but Fernando, not satisfied, vows revenge on Jack, then shoots Billy by mistake.
Billy Carson is accused of the crimes committed by his dead-ringer, outlaw cousin Jim Slade, and barely escapes a lynching. With the aid of his pal Fuzzy Jones, Billy catches up with his cousin and clears his own name.
When six raiders kill her husband, child and workers on her ranch, a white woman raised by the Commanche' claims an Indian blood rite.
Jim Wyngate, an English aristocrat, comes to the American West under a cloud of suspicion for embezzlement actually committed by his cousin Lord Henry. In Wyoming, Wyngate runs afoul of cattle rustler Cash Hawkins by rescuing the Indian girl Naturich from Hawkins. Wyngate marries Naturich, but then learns that his cousin Lord Henry has been killed and has cleared his name before dying. As Wyngate has long loved Lady Diana, Lord Henry's wife, he is perplexed at his situation. But fate takes a hand and resolves matters as Wyngate could not have predicted.
This is the story of the foundation sire of the Morgan Horse Breed.
Saunders with his Cattlemen's Protective Agency is running roughshod over the ranchers. Lawyer Larry Kimball is fighting him but he needs a rancher that will stand up with him against Saunders. He finds him when Lou Gehrig retires from baseball to take up ranching. Lou expects to relax on his ranch but quickly joins Larry in the fight.
Duell McCall visits his old girlfriend, Nora, and learns that she gave birth to his child. He wants to stay but he is still a wanted man. So, Sheriff Campbell suggests that if he brings in this notorious criminal, who has been plaguing the territory, he might be able to get a pardon.
Unable to keep peace between frontier Indians and the US Cavalry, a heroic Captain risks court-martial to prevent bloodshed.
After a group of violent lepers escapes from a sanitarium, - robbing several farms, residents of the town demand the the sheriff - take action. Meanwhile, a local criminal joins forces with the lepers - to commit even more robberies. As the disfigured madmen keep the - entire town indoors with its reign of terror, the sheriff has no - choice but to call on the only man who can help--legendary wrestling - superhero, Santo!
Buck's friend Sheriff Simpson is after the Juarez Kid. Buck knows the Kid and the Sheriff's description does not fit. Buck then meets a one time outlaw who is now the Sheriff's deputy and thinks he is posing as the Kid. When a rancher is killed by the supposed Kid, Buck has a plan utilizing the real Juarez's Kid's ranch that will trap him.
A boy and his dog must go in search of a fabled local treasure in an effort to save the family house from foreclosure.
Raton Pass is a curious western based on the rules of Community Property. Dennis Morgan and Patricia Neal portray a recently married husband and wife, each of whom owns half of a huge cattle ranch. Neal is a tad more ambitious than her husband, and with the help of a little legal chicanery she tries to obtain Morgan's half of the spread. He balks, so she hires a few gunslingers to press the issue. In a 1951 western, the greedy party usually came to a sorry end; Raton Pass adheres strictly to tradition.
Set in 1865 in southwest Missouri, at the close of the Civil War the film follows the adventures of two Confederate men and a black man who they rescue from a lynching.
Profiteer Alexander Stiles lays claim to a million acres of range in the Pecos River country, but a rancher named Claybor stands in his way as he has already claimed the water-rich location of Sweetwater as his own.
Eduardo Belmonte overhears his new step-mother, Maria, and her lover, Don Ricardo Gonzales plotting to take over the Belmonte rancho on the night of the fiesta given by her husband, Don Carlos Belmonte. Eduardo offers Maria money if she will depart the hacienda premises, but she refuses and then accuses Eduardo of making love to her. The old Don doesn't take kindly to his son hitting on his step-mother and attacks him in a rage. The lights go out, the father is killed and Maria blames Eduardo, who escapes from the house, chased by Ricardo's men. The Cisco Kid and Pancho rescue Eduardo, who has been shot, and hide him while they investigate. Cisco discovers that bullets from Maria's gun, a handy little derringer, are the same type that killed Don Carlos. But the Alcalde arrests Cisco and Pancho, and Cisco is "supposedly" executed by a firing squad, but IS NOT shot and escapes by a trick. And now Maria and Ricardo are in real trouble with Cisco on the loose.
Western pardners Jeff and Cash find a baby boy in an otherwise deserted emigrants' camp, and clash over which is to be "father." They are still bitterly feuding years later when they own adjacent ranches. Bill, the foundling whom Cash has raised to young manhood, wants to end the feud and extends an olive branch toward Jeff, who now has a lovely daughter. But during a mining venture, the bitterness escalates. Is Bill to be set against his own adoptive father?
A love-smitten cowpoke accidentally causes a horse stampede.
This documentary traces the history of the B-Western from it's silent movie origins to its demise in the early 1950s. The film contains a large number of scenes from early silents and seldom seen films, as well as old photographs of the stars and one-sheet advertisements for lost films.
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