A close-knit group of friends leaves for the military full of ideals and dreams. They leave everything behind: love, family and their carefree youth. But when the reality of war overtakes them, they are confronted with the raw and relentless truth. When the violence takes its toll, they face a struggle that goes beyond the battlefield. The loss of home, the traumas that haunt them, and the question of whether they will ever find themselves again drive them to extremes.
In Mosul, Nawal takes care of her ailing mother Samia. The mother’s condition gets worse as medicine is no longer available in the city. In the few days she has left, Nawal, her mother and their neighbor share small moments of joy. The ladies sing and dance, they use make-up and make scents, they tell jokes and laugh too hard. In the midst of illness, poverty and war, they manage to transform something dire into something joyful, creating beauty where ugliness strikes.
A terrified young girl, Silvia, finds refuge from the horrors of war in a barn, before her worst fears come true. The menacing figure of a man, Albrecht, appears in the doorway, blocking her only escape...
A lost soldier rescues a prisoner of war.
A boy and a dog try to survive in the middle of a battlefield.
The piece, an experiment that begins on the skin, in the skins of a family that spoke in silence about a tropical dictatorship in the 1980s, the dictatorship of a house. The skins whispered silently and their voices were heard in the corners, on the walls, in the cooking pot, on the soupspoon, on the wet beans. As the soldiers marched in the streets, the echo of their footsteps resonated in the walls of the home of a military man’s family, a house where the words were forgotten. With few oral resources, some photographs and some stolen confessions, the director proposes an exploration that goes from the personal to the political through a fictionalized experience of the family story related to the dictatorship of Panama.
During the final year of WWII a young member of the 104th Infantry Division's first contact with the enemy subverts his expectations.
Mothers, nurses, soldiers and deportees - these women fought against persecution for freedom and survival amid the turbulence of World war II.
This is a film about how war settles in the bodies of the people who are forced to experience it directly. And then, thousands of miles away and dozens of years ahead, how, like a virus, it can still infect other human beings.
Inside a museum, nowadays. A diorama represents two young soldiers in the trenches. All of a sudden, we are thrown into the diorama: the immobile soldiers come to life, there is terror on their faces – the camera dances around them – explosions, chaos, fog: everything flies about in the air. With every gunshot, they shudder and curl up
A visual protest of America’s involvement in the Vietnam War.
A short film by Leo Stern about how Operation MinceMeat came to be and how the outcome was.
1757 Three years into the French and Indian War, Fort William Henry was under siege. The French army, along with 1,800 Indian allies, bombarded the fort over six long days. The British subjects in the fort held out for as long as they could…and would ultimately suffer a fate worse than surrender. Using historic journals from men on both sides of the conflict, this documentary recounts the events. Through filmed reenactments and animations, the story of the siege and surrounding events come to life.
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