The Violin Sonatas visualizes Anne-Sophie Mutter's successful 2010 Brahms album (with Lambert Orkis), her first Deutsche Grammophon recording of this essential repertoire.
For a band with high standards, a perfect show is impossible, and an excellent show is rare. You hope that the norm is "good". To deliver a really exceptional, comfortable performance before a recording truck or film crew has been our unfulfilled dream of many years. Always it seemed that as soon as the machines started rolling, we forgot how to play and our equipment forgot how to work. But for these two nights, the gods smile. And the film becomes not just a concert, but a symbol - for the band a scrapbook, an autobiography, an era frozen in glacial clarity. For the audience, it can be an enduring souvenir, and if it can't quite capture what it was like to be there, it is a way of seeing through many pairs of eyes, of shifting one's vantage-point around and above the players in a way no mortal could. Hands perform, and hands respond. Hands gesture, and hands respond. A show of ears and eyes, a show of hearts and minds. A Show of Hands. - Neil Peart
A vaudeville act inherits an old, beat-up building and decides to try to turn it into a hip new nightclub. Frank Sinatra's first screen appearance.
Radiohead plays songs from their album In Rainbows for a webcast broadcast on New Years Eve. The film was made by Radiohead, Nigel Godrich, Adam Buxton, Garth Jennings, Stanley Donwood, Ric Jerrom, Hugo Nicolson and Dan Grech-Marguerat.
A documentary about Swedish indie rock outfit Bob Hund. Following the band from stages so small the band could barely fit, to huge festival stages the film mixes home-movie footage with interviews, tour movies and music videos.
An Australian Aboriginal DJ realizes that his job at the country radio station is about more than just playing music.
On June 7th, 1986, Prince celebrated his 28th birthday by performing for a packed crowd at Detroit’s Cobo Arena. The show was filmed and edited for later broadcast in Europe and Japan as promotion for his then-forthcoming 1986 Parade tour, which hit eight countries in less than a month. The Parade tour never officially hit the United States, with Prince deciding to test the show out on audiences in a handful of cities across the country before taking it abroad. Fortunately, videotapes of the Detroit show have been circulating amongst hardcore Prince collectors for years and have found their way onto the internet so you can witness what was arguably Prince’s funkiest tour to date.
Tom Waits live: Chicago, IL, USA, PBS Soundstage 1975 & London, UK, BBC Studios, "Live in Person" TV Show
In this magnificently presented DVD CD, Niña Pastori performs the 12 songs on the album accompanied by her musicians, shot with five cameras by director Juan Estelrich with enormous sensitivity and quality. Setlist: 1.Principio 2.Espinas 3.Imposible 4.El Loco Del Barrio 5.En Tres Minutos 6.Puede Ser 7.La Cuna 8.Santo Romero 9.La Tata 10.En Los Rincones De Mi Casa 11.Como Me Duele 12.Final
Backstreet Boys Live in Dallas - Black & Blue Tour 2001
A documentary chronicle that follows a number of denizens of the underground as they drift around individually and collectively, looking for (and speculating upon) a new cultural ‘scene’. The post-punk music they love proclaims slogans of resistance and revolution, but what we see is the groping for a sustainable lifestyle familiar from much youth culture worldwide. That lifestyle, in this case, involves queer sexual identity, drugs, ephemeral relationships, patched-together fashions, weighty discussions of art and theory, the tasting of foods, and copious amounts of alcohol
Two men take a journey through crowded Parisian streets, interacting and disrupting everyday life.
Can a work of art remain relevant 200 years after its creation? Ludwig van Beethoven’s last completed symphony proves it’s possible.
Filmed by Fifty Nine Productions, the people responsible for Jónsi’s celebrated stage design, the movie captures the never-to-be-repeated early stages of the productions development, in front of a small invited audience whose only price of admission was to dress as animals.
Over a quarter of a century since it began and a decade after it folded, this is the definitive film about Creation Records, one of the world's most successful and colorful independent labels. This is the story of the rock n roll dream and its accompanying nightmares. Millions of sales on both sides of the Atlantic, near bankruptcy, pills, thrills, spats, prats, success, excess, pick me ups, breakdowns and of course some of THE defining music of the late 20th Century. This is the definitive and fully authorised story of the UK's most inspired and dissolute label, from the Jesus & Mary Chain at the Living Room to Oasis at Knebworth.
Exciting music and entertainment special that sees a celebrity-packed audience and millions of fans at home screaming their tribute to international pop stars Take That.
Traffic left behind precious few concert videos in any form, so this show, from the Santa Monica Civic Auditorium, is an intrinsically valuable document of the band, even though it does feature a later lineup: Steve Winwood, Jim Capaldi, Chris Wood, Rebop Kwakubaah, Roger Hawkins, and David Hood. Chronologically, the show comes roughly a year later than the Welcome to the Canteen album. There are some many wonderful shots of the band members from varied angles and all kinds of different lighting, even within the same song, courtesy of video producer Taylor Hackford (White Nights, Against All Odds) but, in fact, this wasn't the ideal version of the group to capture on stage: Winwood had suffered a serious illness the year before, the group was always in a state of flux as far as its line-up was concerned, and they were entering the period of decline that would coincide with the recording of Shootout at the Fantasy Factory.
Slipknot performs live at the London Arena, summer 2002, in support of their Iowa album.
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