A French musical by Gérard Presgurvic, created in 2001 at the Palais des Congrès in Paris and inspired by William Shakespeare's Romeo and Juliet. The musical was released at the same time as three other creations (Da Vinci, Les Ailes de la lumière, Les Mille et Une Vies d'Ali Baba, and Les Dix Commandements), following the great success of Notre Dame de Paris the previous year.
While Heavy Metal is often accused of being static and conservative, in truth it is a radical form that regularly re-invents itself, and one which attracts generation after generation of musicians willing to learn from the past, but hungry to evolve the future. And so it was that, in the early 1980s, a young man named Lars Ulrich was so taken by the New Wave of British Heavy Metal, then creating music paper headlines in the UK, that he came to England to track down obscure records, take them home to LA and, with his buddies, listen to them - until they came up with a genre of their own, soon be termed Thrash Metal.
Peter wants to practice for an upcoming jazz competition with his friends Willi, Oskar, and Jupp. But his uncle Tobias, on whose farm Peter lives, must not find out about it.
Samuel Plottner is a stockdealer who only wants to get richer, but suddenly things starts to get complicated: His sons meets their longlost mother which not only is after Samuels money, but also can tell them what happened to them the day they were born. The financial expert Benny Hörnsteen is also after Samuels money, and so is the clown Conny Corny and Lennart K. Brons too. How will this end?
Live concert for the 11th anniversary of the Vietnamese hip-hop empire SpaceSpeakers.
72 minute live performance in Amsterdam on November 30, 2022.
Explores the life and musical career of Migue Benítez, a key figure of the "garrapatero" sound and co-founder of Los Delinqüentes. Through personal testimonies and archives, this documentary traces his origins in Jerez de la Frontera, his creative process, and the unforgettable impact that his art left on those who shared his path.
To commemorate the 20 years that have passed since DC-based post-hardcore band Fugazi's last live appearance (November 4, 2002, at the Forum in London), Joe Gross, Joseph Pattisall and Jeff Krulik presented a screening of crowd-sourced, fan-recorded live shows, and rare archival footage to pay tribute to Fugazi's prowess as a live act—for old fans to remember and for a new generation to discover what they missed. This one-off screening event celebrates the fans and their cameras, as much as the band itself—a collision/collusion of the ephemeral moment on stage and the moments captured on camera.
This vivid film of Wagner's romatic opera succeeds in conveying what has famously been called "the wind that blows out at you whenever you open the score", including Daland's boat anchoring against the Sandwike cliffs, the red-sailed phantom ship, and the ghost crew rising from the dead. "Scenes that recall classic horror films... Brilliantly successful" (Nürnberger Nachrichten), "Captures the works' essence" (Süddeutsche Zeitung). With a superb cast; conducted by Wagner authority Wolfgang Sawallisch.
A short essay on the metamorphosis that art, beauty, love or cinema accomplishes.
Nana Mizuki's Live Park was filmed at Hanshin Koshien Stadium on September 22, 2016.
Ship's doctor Dr. Schumacher dreams of a sanatorium where one can truly escape from all one's obligations.
Another cutting-edge visual experiment from British artist John Maybury, Premonitions Of Absurd Perversion In Sexual Personae, Part 1 serves up a video tribute to the male body, a steamy Kenneth Anger for the video age. Pieced together from a ten year stockpile of evocative, personal images, Maybury’s tape uses multi-form mixing techniques in a typically freeform exploration of the polymorphous field of desire and sexuality.
An all-star cast performs the music of John Kander and Fred Ebb; songs include "New York, New York" and "Cabaret."
In this short animation film we see a world, where the monkeys are music-lovers. As two young chimpanzees are separated by a musical dispute.
For the Russian audience, McCartney's appearance in Moscow is little short of a miracle. The Beatles were banned for decades by the Soviet government, which regarded their music as the epitome of Western decadence and propaganda, and the fans' only access to the group was through the occasional photo or black market album. Their reaction to his 2003 visit is a mixture of frenzy and rapture.
Rob Sheridan and other members of the band's crew filmed the Fragility 2.0 tour using consumer DV cameras.
The Molotovs kick things off in style with “Rebel Rebel,” followed by magical covers of “Heroes” (The Horrors), ‘Fascination’ (La Roux), “Let's Dance” (Jeanne Added), “Rock'n'Roll Suicide” (The Libertines), “Sound and Vision” (Anna Calvi), “Starman” (The Divine Comedy), and “The Man Who Sold the World” (Yasmine Hamdan): eight intense reinterpretations of David Bowie's work, delivered during an arty and decidedly London-esque stroll, which, from stage to studio, recreates the fragile intensity of a live performance.
German production of the Broadway musical by Frank Wildhorn as shown in the Wilhelmsburg in Ulm, Germany.
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