Released in 1968 and often referred to as Canada’s first music video, The Ballad of Crowfoot was directed by Willie Dunn, a Mi’kmaq/Scottish folk singer and activist who was part of the historic Indian Film Crew, the first all-Indigenous production unit at the NFB. The film is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy. The IFC’s inaugural release, Crowfoot was the first Indigenous-directed film to be made at the NFB.
Much as Buena Vista Social Club revealed a rich and unexplored world of music and culture, Cool & Crazy introduces us to a group of men who find purpose, companionship and even fame, as members of a male choir in Berlevåg.
The Queen of the Night has begged Prince Tamino to free her daughter Pamina from the clutches of the High Priest Sarastro, who has abducted her. Together with the bird-catcher Papageno, Tamino enters Sarastro's realm to seek her. When he finds her, the two fall in love, but they have to have to undergo ordeals before they can be together. At the end, Papageno is also rewarded with his Papagena.
In this musical showcase, two aspiring stars attempt to wow a pair of talent scouts with their stellar abilities. Songs include "My Heart Isn't in It" (Jack Lawrence), "It's Love, Love, Love" (Mack David, Joan Whitney, Alex Kramer), "When They Ask about You" (Sammy Stept), "Jumpin' at the Jubilee" (Ben Carter, Mayes Marshall), "Taking Care of You" (Lou Brown, Harry Akst), "Where Am I Without You?" (Don Raye, Gene De Paul), "Two Hearts in the Dark" (Dave Franklin), "Somewhere This Side of Heaven," "Ezekiel Saw the Wheel."
This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.
Newcomer Monte Hale is tying to just get a job in western films when he meet young Danny McCoy and his sister Gloria. Danny is trying to get his horse, "Pardner" into films. Monte sings a song and "Pardner" does some tricks and a casting director notices. Monte gets a singing-cowboy role and the horse gets a bit, but there is an accidental explosion, engineered by western star Rod Mason, who is jealous of Monte, and the horse is badly scared and blows his lines.
A small-town star helps a young apprentice land the girl of his dreams.
The girl, who works as an escort, goes to a hotel room where her guest is waiting. She only finds out that today’s guest is her boyfriend.
Following the band The Killers on road to and on stage in the Bronx, New York, in a series of American Express sponsored music documentaries.
Katyar Kaljat Ghusli is a 2015 Marathi film based on a play by the same name. Directed by Subodh Bhave, the film stars Sachin Pilgaonkar, Shankar Mahadevan, and Subodh Bhave in lead roles. The film marks the acting debut for Mahadevan and directorial debut for Bhave. The original play premiered in 1967 in Mumbai, where Hindustani classical vocalist Vasantrao Deshpande played one of the protagonists. In 2010, the play was relaunched with protagonists essayed by Rahul Deshpande, grandson of Vasantrao Deshpande and singer Mahesh Kale. The film's music is composed by Shankar–Ehsaan–Loy, and retained some of the songs from the original play composed by Jitendra Abhisheki.
Lewis and Clark blaze a trail to the western waters in this epic satire and spoof on American ego.
The story behind Johnny Cash's lost Native American-themed concept album and his unique collaboration with folk artist Peter Lafarge. The film also chronicles the reimagining of Cash's highly controversial 1964 record on its 50th anniversary, as recorded at Nashville's historic Sound Emporium Studios. Based on Antonino D'Ambrosio's book "A Heartbeat and a Guitar: Johnny Cash and the Making of Bitter Tears."
Biography of the famous composer of children's music Gabilondo Soler. Starts from his childhood, when he worked as a pastor and grandmother tried to teach him to play the piano. Later he went to the city to study music theory and began writing his first songs.
An Acoustic Evening at the Vienna Opera House, was recorded at the historic Vienna Opera House July 2012 during a special two-week long unplugged tour, played to a limited audience over seven exclusive shows. Varying from his electric blues shows, this presentation was an all-acoustic concert performance, making it a unique and very special show fans had been waiting years to experience. Produced by Kevin Shirley. Source: Amazon.com - http://www.amazon.com/Acoustic-Evening-Vienna-Opera-Blu-ray/dp/B00B6S56X6
During the movement to repeal Prohibition, Oxidontal University student editor Elmer Brown is strongly in favor. He loves the daughter of an ardent prohibitionist; by chicanery, he tries to win Gloria and sell his bottle stopper invention.
Three stories intertwine as different people deal with the challenges of living through times of crisis. An evicted mother, a banker with a conscience and a police officer who has to do his job no matter what, sing and dance in this Brechtian musical drama about the economic crisis, people’s struggle with daily life, solidarity and hope.
This spectacular opera film was taped in 1967 and is based on the 1966 Salzburg Festival production directed by Herbert von Karajan himself, who also conducts the fabulous Vienna Philharmonic Orchestra. The production features the three greatest exponents of their respective roles at the time: Grace Bumbry’s magnificently seductive-toned Carmen, Mirella Freni’s ineffably lovely, touching Micaëla and Jon Vickers’s thrillingly manic-depressive Don José. On its release the film was hailed by Die Presse, (Vienna) as a “unique artistic event”, while Le Monde felt that Karajan’s production brought “a whole new dimension” to the opera, “combined with a magisterial interpretation”. A classical and utterly dramatic approach to probably the world's most beloved opera – Karajan’s Carmen is as much a delicacy for opera fans as it is a perfect starter for newcomers.
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